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A self-defined "seductress of beautiful women" and the by-product of an immense fortune, lesbian activist Mercedes de Acosta (born in 1892) was descended from Spain's Dukes of Alba and a beneficiary of the best education and best social skills that her parents' Gilded Age fortune could buy. From her perch within the aristocracy of the Belle poque , and continuing as an arts-industry "swinger" until her death in 1968, she became notorious for seducing-and describing to socialites on both sides of the Atlantic-at least a dozen women who fast-evolved into the most widely publicized and romantically "unattainable" celebrities in the world. During her heyday-the sexually permissive "Pre-Code" free-for-all of the Silent Screen and Hollywood's early talkies-her lovers included the self-enchanted silent screen mogul, Nazimova; the "live fast and die young" tragedienne Jeanne Eagels; the blue-blooded aristocrat of the Jazz Age Broadway stage, Katharine Cornell; the most famous film goddess of the 30s and early 40s (Greta Garbo); and at least a dozen others. Within the deeply entrenched, phobically closeted lesbian circles of America's mid-century, Mercedes become quirkily famous as "Hollywood's Greatest Lover." One of her paramours, the German-born bisexual Marlene Dietrich, put Mercedes' promiscuous indiscretions into context: "During Germany's Weimar Republic (1919-1933), in Paris, London, Berlin, and in the dives and cabarets of Hollywood and New York, promiscuity was rampant and w